Wednesday 4 February 2015

3.4 Lesson Plan

Warm up

Sources:


Make notes on the Key Definintion Terms referred to in the video

Level 3: C
Articles & Analysis

Level 2: D/E
Read and identify significant quotes/content and in what Historical order

1. Mulvey
2. Doanne
3. Dyer
4. Foucault
5. Bright
6. Stacey
7. Lacan
8. Metz
9. Berger

Level 3: Lower (C)
Summaries how the following Theorists have developed The Gaze Theory in your own words
Identify 3 key scenes from any Case Study, and apply the relevant theorist(s)

Level 3: Higher (B)
Discuss how these Theories offer different meaning to Magic Mike or Black Swan or Django Unchained
Analyse 3 key scenes for MES: casting/performance/nudity, CAM: use of close-up, EDIT: positioning within the Narrative

Level 4:
Explain these Theories and synthesise your own argument:
How useful/limited is the traditional focus on Gender in Gaze Theory in understanding Spectatorship of all audiences 

 
This is the goal of what we will produce

1 comment:

  1. Magic Mike
    http://sharerepo.com/ayegyxvii67n

    What is Queer Theory

    http://www.slideshare.net/kksmedia/queer-theory-15305722

    http://www.slideshare.net/andywallis/queer-theory-30019153?related=1

    What does Butler suggest about the normalisation of Heterosexuality in film?
    What does she mean by 'fluid' gender and sexualities?
    How does this affect spectatorship?

    https://yourboyfriendsucks.wordpress.com/2011/09/17/of-mulvery-butler-and-the-homosexual-gaze/
    So what is the difference between Queer Theory and the Queer Gaze? (Is the Quuer Gaze simply a reversal of The Male Gaze, or is there something deeper?)

    "I argue that looking at films from the homosexual male view with the lens of Mulvey and Butler can we see that the homosexual male gaze is quite different from its straight counterpart. Using Laura Mulvey’s Visual Pleasure and Judith Butler’s gender performance and conformativity theories, the homosexual male role in watching the films XXX, Latter Days, and Hedwig and the Angry Inch objectifies the men in heterosexual target audience films because of the male character’s desire for the female, while in the homosexual films, desire is mixed with empathy because of the coming out process."



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